- Desperately Seeking Tristana: The Telling, the Teller and the Told
- Where Shelley Wrote and What He Wrote For: The Example of "The Ode to the West Wind"
- The Symbolism of The Wind and The Leaves in Shelley's “Ode To The West Wind”
- Writing between the Lines: The Language of Translation
- On the Road: The Life and Verse of Mir Zeyn al-Din ʿEshq, a Forgotten Eighteenth-Century Poet
- Samuel Beckett Self-Translator
- On the Margins of the Black Atlantic: Angola, the Eastern Bloc, and the Cold War
- Whitman and His Critics
- Corrigendum
- The Invention of French Feminism: An Essential Move
- Engendered autobiographies: The diary as a feminine form
- Love Studies: Or, Liberating Love
- Ethics and the Ethical Attitude
- Corrigendum
- Gillian Woods. Shakespeare’s Unreformed Fictions. Oxford English Monographs. Oxford: Oxford University Press, 2013. xi + 240 pp. £60. ISBN: 978-0-19-967126-7.
- From Writer’s Block to Extended Plot: Career Construction Theory and Lives in Writing
- Writing the unseen poem: Can the writing of poetry help to support pupils' engagement in the reading of poetry?
- Packaging poetry? Pupils’ perspectives of their learning experience within the post‐primary poetry classroom
- Palaces, Pavilions and Pleasure-gardens: The context and setting of the medieval majlis
- Marvell's to his Coy Mistress
- The Resurrection of the Body: A New Reading of Marvell's to his Coy Mistress
- Biography, Mythography, and Criticism: The Life and Works of Christopher Marlowe
- Of other seas: metaphors and materialities in maritime regions
- "The Deceptiveness of Beauty": Mother Love and Mother Hate in To the Lighthouse
- Gothic Misdirections: Troubling the Trauma Fiction Paradigm in Pat Barker’sDouble Vision
- Faulkner's a Rose for Emily
- Bodies on the Move: A Poetics of Home and Diaspora
- Miracle Plays, Minstrels, and Jigs
- Shahnama: the Millennium of an Epic Masterpiece
- “What do you know about semantic prosody?” Teaching and evaluating implicit knowledge of English with corpus-assisted methods
- Ibn al-Malāḥimī on Zoroastrianism
- Front Matter
- Dialogues with the Dead: Necropoetics of Zahra’s Paradise
- Moving beyond the Written Comment: Narrowing the Gap between Response Practice and Research
- ‘You’d have to be stupid not to see that’
- Tennyson's Poetics of Melancholy and the Imperial Imagination
- Tolstoy’s Implicit Moral Theory: An Interpretation and Appraisal
- Hemingway's Hills like White Elephants
- Sports participation in France and Spain: An international comparison of voraciousness for sport
- Point Counterpoint: Teaching Punctuation as Information Management
- Mehrjui's Social Comedy and the Representation of the Nation in the Age of Globalization
- France since the 1970s: History, Politics and Memory in an Age of Uncertainty
- From Float to Flicker: Information Processing, Racial Semiotics, and Anti-Racist Protest, from “I am a Man” to “Black Lives Matter”
- Conceptual Photography: Idea, Process, Truth
- Translation and the representation of thought: The case of Herta Müller
- Blow-Up: The Forms of an Esthetic Itinerary
- Blow-Up: A Reconsideration of Antonioni's Infidelity to Cortázar
- Code-switching and multilingualism in literature
- Ideas, Ideology, and the Roots of the Islamic State
- Turning Readers into Spectators: Pope's ‘Ode on Solitude’ and the Frame of Representation
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